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Rabbit Hole (Curious Theatre)
Fowler's tightly controlled performance is already haunting and on its way to
being one for the books.
Denver Post
The Miracle Worker (Denver Center)
There are many fine support performances, notably Rachel Fowler as
Helen's conflicted, doe-eyed mother....
Denver Post
Fowler's tightly controlled performance is already haunting and on its way to
being one for the books.
Denver Post
The Miracle Worker (Denver Center)
There are many fine support performances, notably Rachel Fowler as
Helen's conflicted, doe-eyed mother....
Denver Post
Alls Well That Ends Well (Shakespeare Santa Cruz)
Fowler is excellent as Helena, clear and controlled, making us believe Bertram's the fool for not seeing her as the prize she is.
Santa Cruz Sentinel
Humble Boy (St Louis Rep)
Rounding out this marvelous cast is an actress who brings it all to the stage.
Rachel Fowler, as the former lover of Felix, is a true beauty and gives us a dynamite performance as well.
Classic 99
All My Sons (Denver):
Rachel Fowler, as Ann Deever, escapes the curse of her character's good looks with a generous and forgiving portrayal that exhibits
the depth of the young Miller's writing.
Variety
Fiction (Old Globe):
Fowler finds the right tone between brittle acidity and charm, and her understated sexuality makes her a logical object of a man's
lingering desire.
Variety
Triangle Factory Fire (TACT):
Some of the characterizations that stand out include … Rachel Fowler’s touching and fierce portrayal of Margaret Schwartz, one of the
girls who died and the victim whose fate was used as the mechanism for bringing the factory’s owners to trial.
American Theatre Web
Hobson's Choice (Playmakers):
Tackling both her father's blustering misogynist disdain and her own adorably reticent suitor, Rachel Fowler managed to make Maggie,
the eldest of the Hobson sisters, both holy terror and curiously likeable.
Scott Ross
Proof (Cincinnati Playhouse):
Despite an emotionally complex performance from Lancaster as Catherine, Rachel Fowler manages equal fascination. Fowler builds
the conventional character of Claire (the successful daughter returning home for her father's funeral) from the typical harsh sister to a
woman who is not immune from guilt nor beyond amends.
Cincinnati Post
The Pagans (Abingdon Theatre):
One of the production's most memorable performances is that of Rachel Fowler, recently seen in the Mint Theater's acclaimed
staging of D. H. Lawrence's "The Daughter-in-Law,"....Fowler's Danaan brings fire, clarity, and much-needed humanity to those
portions of "The Pagans" in which she appears.
Irish Echo
Fowler is excellent as Helena, clear and controlled, making us believe Bertram's the fool for not seeing her as the prize she is.
Santa Cruz Sentinel
Humble Boy (St Louis Rep)
Rounding out this marvelous cast is an actress who brings it all to the stage.
Rachel Fowler, as the former lover of Felix, is a true beauty and gives us a dynamite performance as well.
Classic 99
All My Sons (Denver):
Rachel Fowler, as Ann Deever, escapes the curse of her character's good looks with a generous and forgiving portrayal that exhibits
the depth of the young Miller's writing.
Variety
Fiction (Old Globe):
Fowler finds the right tone between brittle acidity and charm, and her understated sexuality makes her a logical object of a man's
lingering desire.
Variety
Triangle Factory Fire (TACT):
Some of the characterizations that stand out include … Rachel Fowler’s touching and fierce portrayal of Margaret Schwartz, one of the
girls who died and the victim whose fate was used as the mechanism for bringing the factory’s owners to trial.
American Theatre Web
Hobson's Choice (Playmakers):
Tackling both her father's blustering misogynist disdain and her own adorably reticent suitor, Rachel Fowler managed to make Maggie,
the eldest of the Hobson sisters, both holy terror and curiously likeable.
Scott Ross
Proof (Cincinnati Playhouse):
Despite an emotionally complex performance from Lancaster as Catherine, Rachel Fowler manages equal fascination. Fowler builds
the conventional character of Claire (the successful daughter returning home for her father's funeral) from the typical harsh sister to a
woman who is not immune from guilt nor beyond amends.
Cincinnati Post
The Pagans (Abingdon Theatre):
One of the production's most memorable performances is that of Rachel Fowler, recently seen in the Mint Theater's acclaimed
staging of D. H. Lawrence's "The Daughter-in-Law,"....Fowler's Danaan brings fire, clarity, and much-needed humanity to those
portions of "The Pagans" in which she appears.
Irish Echo
| REVIEWS |